{"id":7381,"date":"2026-06-03T12:57:15","date_gmt":"2026-06-03T10:57:15","guid":{"rendered":"https:\/\/acfhab.be\/?page_id=7381"},"modified":"2026-07-07T10:57:36","modified_gmt":"2026-07-07T08:57:36","slug":"12-patrimoine-mobilier-et-musees","status":"publish","type":"page","link":"https:\/\/acfhab.be\/?page_id=7381","title":{"rendered":"12. Patrimoine mobilier et mus\u00e9es"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1216.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-title-center fusion-title-text fusion-title-size-two\" style=\"--awb-text-color:var(--awb-color4);--awb-margin-top-small:0px;--awb-margin-bottom-small:20px;--awb-sep-color:var(--awb-color4);\"><div class=\"title-sep-container title-sep-container-left\"><div class=\"title-sep sep-single sep-solid\" style=\"border-color:var(--awb-color4);\"><\/div><\/div><span class=\"awb-title-spacer\"><\/span><h2 class=\"fusion-title-heading title-heading-center awb-gradient-text fusion-responsive-typography-calculated\" style=\"margin:0;text-transform:capitalize;background-color:var(--awb-color8);background-image:linear-gradient(180deg, var(--awb-color8) 0%,var(--awb-color4) 100%);--fontSize:42;line-height:var(--awb-typography1-line-height);\"><b>Liste orateurs<\/b><\/h2><span class=\"awb-title-spacer\"><\/span><div class=\"title-sep-container title-sep-container-right\"><div class=\"title-sep sep-single sep-solid\" style=\"border-color:var(--awb-color4);\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:22px;--awb-background-color:#eaf6f2;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1216.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_4_5 4_5 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:80%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.4%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:2.4%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\" style=\"--awb-margin-top:20px;\"><p><b>Pr\u00e9sident :<\/b> Nathalie Nyst<span style=\"letter-spacing: 0.285px;\"> &#8211; <\/span><span style=\"color: var(--awb-color4);\">Nathalie.Nyst@ulb.be<\/span><span style=\"letter-spacing: 0.285px;\"><br \/>\n<\/span><b style=\"letter-spacing: 0.285px;\">Vice-pr\u00e9sident :<\/b> Julien Maquet<span style=\"letter-spacing: 0.285px;\"> &#8211;<\/span> <span style=\"color: var(--awb-color4);\">julien.maquet1@gmail.com<\/span><span style=\"letter-spacing: 0.285px;\"><font color=\"rgba(0, 0, 0, 0)\"> <span style=\"color: rgb(2, 0, 1);\">\/<\/span><\/font><font color=\"#000000\"><br \/><\/font><\/span>B\u00e9reng\u00e8re de Laveleye<span style=\"letter-spacing: 0.285px;\"> &#8211; <\/span><span style=\"color: var(--awb-color4);\">berengere.delaveleye@brucity.be<\/span><span style=\"letter-spacing: 0.285px;\"><span style=\"color: #65bc7b;\"><br \/>\n<\/span><\/span><b style=\"letter-spacing: 0.285px;\">Secr\u00e9taire :<\/b> Claire Leblanc<span style=\"letter-spacing: 0.285px;\"> &#8211; <\/span><span style=\"letter-spacing: 0.285px; color: var(--awb-color4);\">claire.leblanc@ixelles.brussels<\/span><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_5 1_5 fusion-flex-column\" style=\"--awb-padding-bottom:25px;--awb-bg-size:cover;--awb-width-large:20%;--awb-margin-top-large:29px;--awb-spacing-right-large:9.6%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:0.48%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div style=\"text-align:right;\"><a class=\"fusion-button button-flat fusion-button-default-size button-default fusion-button-default button-1 fusion-button-default-span fusion-button-default-type\" style=\"--awb-margin-bottom:20px;--awb-padding-left:40px;--button-border-radius-top-left:40px;--button-border-radius-bottom-left:40px;\" target=\"_self\" href=\"https:\/\/acfhab.be\/wp-content\/uploads\/2026\/07\/Section_12.pdf\"><span class=\"fusion-button-text awb-button__text awb-button__text--default\">Liste pdf<\/span><i class=\"fa-arrow-alt-circle-down fas awb-button__icon awb-button__icon--default button-icon-right\" aria-hidden=\"true\"><\/i><\/a><\/div><div style=\"text-align:right;\"><a class=\"fusion-button button-flat fusion-button-default-size button-default fusion-button-default button-2 fusion-button-default-span fusion-button-default-type\" style=\"--awb-margin-top:10px;--button-border-radius-top-left:40px;--button-border-radius-bottom-left:40px;\" target=\"_self\" href=\"https:\/\/acfhab.be\/wp-content\/uploads\/2026\/07\/12-grille-horaire.pdf\"><span class=\"fusion-button-text awb-button__text awb-button__text--default\">Grille horaire<\/span><i class=\"fa-arrow-alt-circle-down fas awb-button__icon awb-button__icon--default button-icon-right\" aria-hidden=\"true\"><\/i><\/a><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1216.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\">\n<table id=\"tablepress-14\" class=\"tablepress tablepress-id-14 tbody-has-connected-cells\">\n<thead>\n<tr class=\"row-1\">\n\t<td class=\"column-1\"><\/td><th class=\"column-2\">Orateur<\/th><th class=\"column-3\">Titre de la communication<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td rowspan=\"2\" class=\"column-1\">1<\/td><td class=\"column-2\">BEYER Thomas<\/td><td rowspan=\"2\" class=\"column-3\">Concevoir, exp\u00e9rimenter, cr\u00e9er une exposition dans un mus\u00e9e universitaire. L\u2019exemple de l\u2019exposition Verropolis (ULI\u00c8GE)<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-2\">NAVARRO Nicolas<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td rowspan=\"3\" class=\"column-1\">2<\/td><td class=\"column-2\">BICAK M\u00e9liha<\/td><td rowspan=\"3\" class=\"column-3\">De la consultation \u00e0 la coop\u00e9ration : le d\u00e9fi de la repr\u00e9sentativit\u00e9<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-2\">CORNELIS M\u00e9lanie<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-2\">FOURNEAU Beno\u00eet<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">3<\/td><td class=\"column-2\">BRIARD Sophie<\/td><td class=\"column-3\">La Wittockiana, mus\u00e9e des arts du livre et de la reliure De la biblioth\u00e8que bibliophilique priv\u00e9e au mus\u00e9e public<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td rowspan=\"3\" class=\"column-1\">4<\/td><td class=\"column-2\">CASTELAIN Li\u00e9vin<\/td><td rowspan=\"3\" class=\"column-3\">Restauration d'un sp\u00e9cimen d'exception en sciences naturelles : choix, pratiques et potentiel patrimonial<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-2\">LONEUX Mich\u00e8le <\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-2\">NYST Nathalie<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">5<\/td><td class=\"column-2\">DE BAERDEMAEKER Marieke<\/td><td class=\"column-3\">Het Museum van de Stad Brussel \u2013 een rijk verleden, een spannende toekomst<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">6<\/td><td class=\"column-2\">DOS SANTOS Dorian<\/td><td class=\"column-3\">L\u2019intelligence artificielle face aux contraintes de gestion quotidienne des mus\u00e9es en Belgique francophone : quels leviers pour des institutions aux statuts et organisations diversifi\u00e9s ?<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">7<\/td><td class=\"column-2\">DUM\u00c9NIL Maxime<\/td><td class=\"column-3\">La structuration du MuMons : une \u00e9volution progressive pour structurer le mus\u00e9e universitaire de l\u2019UMons<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">8<\/td><td class=\"column-2\">DUPONT Christine <\/td><td class=\"column-3\"><em>History Lab Europe<\/em> ou comment repenser la Maison de l\u2019Histoire europ\u00e9enne<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td rowspan=\"2\" class=\"column-1\">9<\/td><td class=\"column-2\">ESGAIN Caroline <\/td><td rowspan=\"2\" class=\"column-3\">Du Mus\u00e9e du Costume et de la Dentelle au Mus\u00e9e Mode &amp; Dentelle : enjeux de la rencontre entre deux collections<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-2\">LOR Nicolas<\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">10<\/td><td class=\"column-2\">GROSJEAN Paul<\/td><td class=\"column-3\">Du bon usage de la communication historique<\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">11<\/td><td class=\"column-2\">HEROUFOSSE \u00c9l\u00e9onore<\/td><td class=\"column-3\">Entre conservation et valorisation. Le cas des collections patrimoniales de l\u2019UMons<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">12<\/td><td class=\"column-2\">INGELAERE Pascale<\/td><td class=\"column-3\">L\u2019inventaire du patrimoine mobilier de la R\u00e9gion bruxelloise. Outil de valorisation des collections<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">13<\/td><td class=\"column-2\">LOUIS Diane<\/td><td class=\"column-3\">La joaillerie belge \u00e0 l'\u00e9poque de l'Art nouveau : processus de patrimonialisation et strat\u00e9gies de l\u00e9gitimation<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">14<\/td><td class=\"column-2\">MALMENDIER Anne<\/td><td class=\"column-3\">Les politiques d\u2019acquisition mus\u00e9ales contemporaines et la part des dons : vers une patrimonialisation raisonn\u00e9e ?<\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">15<\/td><td class=\"column-2\">MICIC Gordana<\/td><td class=\"column-3\">Un mus\u00e9e sous les pav\u00e9s : le r\u00e9cit d\u2019une sc\u00e9nographie singuli\u00e8re, porteuse de m\u00e9moire et de valorisation patrimoniale<\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">16<\/td><td class=\"column-2\">MUDEKEREZA BULONZA Patrick<\/td><td class=\"column-3\">Entre pseudo-mus\u00e9es et pseudo-rituels : pratiques artistiques et exp\u00e9rimentation d\u2019une mus\u00e9ologie sociale dans la perspective de la restitution<\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">17<\/td><td class=\"column-2\">NONNE Letizia<\/td><td class=\"column-3\">Un laboratoire de conservation-restauration 'hors les murs' : Retour d\u2019exp\u00e9rience<\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">18<\/td><td class=\"column-2\">PEUCKERT Val\u00e9rie<\/td><td class=\"column-3\">Les expositions comme engagement : initiatives artistiques et sociales de Charles Gaspar dans l'Entre-deux-guerres \u00e0 Arlon<\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td rowspan=\"2\" class=\"column-1\">19<\/td><td class=\"column-2\">PEUCKERT Val\u00e9rie<\/td><td rowspan=\"2\" class=\"column-3\">De la mutualisation \u00e0 la cocr\u00e9ation : 10 ans de collaboration ausein du collectif <em>Lux Musea<\/em><\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-2\">SMETS  H\u00e9lo\u00efse<\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">20<\/td><td class=\"column-2\">QUOILIN C\u00e9cile<\/td><td class=\"column-3\">Un patrimoine prot\u00e9iforme\u00a0: enjeux de conservation et de valorisation au Mus\u00e9e de la Vie wallonne<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">21<\/td><td class=\"column-2\">SCHOONBROODT Christelle<\/td><td class=\"column-3\">Le Mus\u00e9e dioc\u00e9sain de Li\u00e8ge au sein du Grand Curtius<\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">22<\/td><td class=\"column-2\">SMETS  H\u00e9lo\u00efse<\/td><td class=\"column-3\">D\u00e9cloisonner le mus\u00e9e par ses collections : la vannerie au Mus\u00e9e gaumais<\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">23<\/td><td class=\"column-2\">TOMSIN Philippe <\/td><td class=\"column-3\">Un pr\u00e9curseur de l\u2019arch\u00e9ologie industrielle en Belgique: Ren\u00e9 Evrard (1907-1963). Nouvelles informations tir\u00e9es d\u2019archives priv\u00e9es in\u00e9dites<\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">24<\/td><td class=\"column-2\">YANTE Jean-Marie<\/td><td class=\"column-3\">Les mus\u00e9es de terroir ou de soci\u00e9t\u00e9. Une mission d\u00e9clin\u00e9e en trois temps<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-14 from cache --><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1216.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-2 fusion-title-center fusion-title-text fusion-title-size-two\" style=\"--awb-text-color:var(--awb-color4);--awb-margin-top-small:0px;--awb-margin-bottom-small:20px;--awb-sep-color:var(--awb-color4);\"><div class=\"title-sep-container title-sep-container-left\"><div class=\"title-sep sep-single sep-solid\" style=\"border-color:var(--awb-color4);\"><\/div><\/div><span class=\"awb-title-spacer\"><\/span><h2 class=\"fusion-title-heading title-heading-center awb-gradient-text fusion-responsive-typography-calculated\" style=\"margin:0;text-transform:capitalize;background-color:var(--awb-color8);background-image:linear-gradient(180deg, var(--awb-color8) 0%,var(--awb-color4) 100%);--fontSize:42;line-height:var(--awb-typography1-line-height);\"><b>Liste orateurs<\/b><\/h2><span class=\"awb-title-spacer\"><\/span><div class=\"title-sep-container title-sep-container-right\"><div class=\"title-sep sep-single sep-solid\" style=\"border-color:var(--awb-color4);\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-5 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1216.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-5 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\">\n<table id=\"tablepress-29\" class=\"tablepress tablepress-id-29 tbody-has-connected-cells\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">jours\/horaires<\/th><th class=\"column-2\"><span style=\"color:#FFFFFF;\"><strong>JEUDI 20 AO\u00dbT<\/strong><\/span><\/th><th class=\"column-3\"><span style=\"color:#FFFFFF;\"><strong>VENDREDI 21 AO\u00dbT<\/strong><\/span><\/th><th class=\"column-4\"><span style=\"color:#FFFFFF;\"><strong>SAMEDI 22 AO\u00dbT<\/strong><\/span><\/th><th class=\"column-5\"><span style=\"color:#FFFFFF;\"><strong>DIMANCHE 23 AO\u00dbT<\/strong><\/span><\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr class=\"row-2\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\"><span style=\"color:#FFFFFF;\"><strong><\/strong><\/span><\/td><td class=\"column-3\"><span style=\"color:#7908B8;\">Diversit\u00e9 des mus\u00e9es et du patrimoine mobilier. Pr\u00e9sidence : Julien Maquet<\/span><\/td><td class=\"column-4\"><span style=\"color:#FF6600;\">Mus\u00e9es et patrimoines universitaires : enjeux actuels. Pr\u00e9sidence : Nathalie Nyst<\/span><\/td><td class=\"column-5\"><span style=\"color:#FFFFFF;\"><strong><\/strong><\/span><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">9h00-09h30<\/td><td rowspan=\"7\" class=\"column-2\"><span style=\"color:#808080;\">Accueil des congressistes et s\u00e9ance inaugurale<\/span><\/td><td class=\"column-3\"><span style=\"color:#7030A0;\"><strong>Ingelaere Pascale<\/strong> \u2014 L\u2019inventaire du patrimoine mobilier de la R\u00e9gion bruxelloise. Outil de valorisation des collections<\/span><\/td><td class=\"column-4\"><span style=\"color:#F28E1A;\"><strong>Dum\u00e9nil Maxime<\/strong> \u2014 La structuration du MuMons : une \u00e9volution progressive pour structurer le mus\u00e9e universitaire de l\u2019UMons <\/span><\/td><td rowspan=\"18\" class=\"column-5\"><span style=\"color:#808080;\">Activit\u00e9s culturelles<\/span><\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">09h30-10h00<\/td><td class=\"column-3\"><span style=\"color:#7030A0;\"><strong>Malmendier Anne<\/strong> \u2014 Les politiques d\u2019acquisition mus\u00e9ales contemporaines et la part des dons\u00a0: vers une patrimonialisation raisonn\u00e9e ?<\/span><\/td><td class=\"column-4\"><span style=\"color:#F28E1A;\"><strong>Heroufosse \u00c9l\u00e9onore<\/strong> \u2014 Entre conservation et valorisation. Le cas des collections patrimoniales de l\u2019UMons<\/span><\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">10h00-10h30<\/td><td class=\"column-3\"><span style=\"color:#7030A0;\"><strong>Lor Nicolas \/ Esgain Caroline<\/strong> \u2014 Du Mus\u00e9e du Costume et de la Dentelle au Mus\u00e9e Mode &amp; Dentelle : enjeux de la rencontre entre deux collections<\/span><\/td><td class=\"column-4\"><span style=\"color:#F28E1A;\"><strong>Beyer Thomas \/ Navarro Nicolas<\/strong> \u2014Concevoir, exp\u00e9rimenter, cr\u00e9er une exposition dans un mus\u00e9e universitaire. L\u2019exemple de l\u2019exposition Verropolis (ULi\u00e8ge)<\/span><\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">10h30-11h00<\/td><td class=\"column-3\"><span style=\"color:#595959;\">pause caf\u00e9<\/span><\/td><td class=\"column-4\"><span style=\"color:#595959;\">pause caf\u00e9<\/span><\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">11h00-11h30<\/td><td class=\"column-3\"><span style=\"color:#7030A0;\"><strong>Schoonbroodt Christelle<\/strong> \u2014 Le Mus\u00e9e dioc\u00e9sain de Li\u00e8ge au sein du Grand Curtius<\/span><\/td><td class=\"column-4\"><span style=\"color:#F28E1A;\"><strong>Mudekereza Bulonza Patrick<\/strong> \u2014 Entre pseudo-mus\u00e9es et pseudo-rituels : pratiques artistiques et exp\u00e9rimentation d\u2019une mus\u00e9ologie sociale dans la perspective de la restitution<\/span><\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">11h30-12h00<\/td><td class=\"column-3\"><span style=\"color:#7030A0;\"><strong>Peuckert Val\u00e9rie \/ Smets H\u00e9lo\u00efse<\/strong> \u2014 De la mutualisation \u00e0 la cocr\u00e9ation : 10 ans de collaboration ausein du collectif <em>Lux Musea<\/em><\/span><\/td><td class=\"column-4\"><span style=\"color:#F28E1A;\"><strong>Dos Santos Dorian<\/strong> \u2014 L\u2019intelligence artificielle face aux contraintes de gestion quotidienne des mus\u00e9es en Belgique francophone : quels leviers pour des institutions aux statuts et organisations diversifi\u00e9s ?<\/span><\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">12h00-12h30<\/td><td class=\"column-3\"><span style=\"color:#7030A0;\"><strong>Nonne Letizia<\/strong> \u2014 'Un laboratoire de conservation-restauration 'hors les murs' : Retour d\u2019exp\u00e9rience<\/span><\/td><td class=\"column-4\"><span style=\"color:#F28E1A;\"><strong>Loneux Mich\u00e8le \/ Castelain Li\u00e9vain \/ Nyst Nathalie<\/strong> \u2014 Restauration d'un sp\u00e9cimen d'exception en sciences naturelles : choix, pratiques et potentiel patrimonial<\/span><\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">12h30-14h00<\/td><td class=\"column-2\"><span style=\"color:#595959;\">pause d\u00e9jeuner<\/span><\/td><td class=\"column-3\"><span style=\"color:#595959;\">pause d\u00e9jeuner<\/span><\/td><td class=\"column-4\"><span style=\"color:#595959;\">pause d\u00e9jeuner<\/span><\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\"><span style=\"color:#3C7D22;\">(Re)Penser les mus\u00e9es. Pr\u00e9sidence : Claire Leblanc<\/span><\/td><td class=\"column-3\"><span style=\"color:#C00000;\">Varia. Pr\u00e9sidence : B\u00e9reng\u00e8re de Laveleye<\/span><\/td><td rowspan=\"4\" class=\"column-4\"><span style=\"color:#808080;\">Assembl\u00e9e g\u00e9n\u00e9rale extraordinaire de l'Association des Cercles francophones d'Histoire et d'Arch\u00e9ologie de Belgique<\/span><\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">14h00-14h30<\/td><td class=\"column-2\"><span style=\"color:#3C7D22;\"><strong>Bi\u00e7ak M\u00e9liha \/ Cornelis M\u00e9lanie \/ Beno\u00eet Fourneau<\/strong> \u2014 De la consultation \u00e0 la coop\u00e9ration : le d\u00e9fi de la repr\u00e9sentativit\u00e9<\/span><\/td><td class=\"column-3\"><span style=\"color:#C00000;\"><strong>Gordana Micic<\/strong> \u2014 Un mus\u00e9e sous les pav\u00e9s : le r\u00e9cit d\u2019une sc\u00e9nographie singuli\u00e8re, porteuse de m\u00e9moire et de valorisation patrimoniale<\/span><\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">14h30-15h00<\/td><td class=\"column-2\"><span style=\"color:#3C7D22;\"><strong>Dupont Christine<\/strong> \u2014 <em>History Lab Europe<\/em> ou comment repenser la Maison de l\u2019Histoire europ\u00e9enne<\/span><\/td><td class=\"column-3\"><span style=\"color:#C00000;\"><strong>Smets H\u00e9lo\u00efse<\/strong> \u2014 D\u00e9cloisonner le mus\u00e9e par ses collections : la vannerie au Mus\u00e9e gaumais<\/span><\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">15h00-15h30<\/td><td class=\"column-2\"><span style=\"color:#3C7D22;\"><strong>Yante Jean-Marie<\/strong><\/span><span style=\"color:#3C7D22;\"> \u2014 Les mus\u00e9es de terroir ou de soci\u00e9t\u00e9. Une mission d\u00e9clin\u00e9e en trois temps<\/span><\/td><td class=\"column-3\"><span style=\"color:#C00000;\"><strong>Louis Diane<\/strong> \u2014 La joaillerie belge \u00e0 l'\u00e9poque de l'Art nouveau : processus de patrimonialisation et strat\u00e9gies de l\u00e9gitimation<\/span><\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\"> 15h30-16h00<\/td><td class=\"column-2\"><span style=\"color:#595959;\">pause caf\u00e9<\/span><\/td><td class=\"column-3\"><span style=\"color:#595959;\">pause caf\u00e9<\/span><\/td><td class=\"column-4\"><span style=\"color:#595959;\">pause caf\u00e9<\/span><\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">16h00-16h30<\/td><td class=\"column-2\"><span style=\"color:#3C7D22;\"><strong>Quoilin C\u00e9cile<\/strong> \u2014 Un patrimoine prot\u00e9iforme\u00a0: enjeux de conservation et de valorisation au Mus\u00e9e de la Vie wallonne<\/span><\/td><td class=\"column-3\"><span style=\"color:#C00000;\"><span style=\"color:#C00000;\"><strong>Peuckert Val\u00e9rie<\/strong> \u2014 Les expositions comme engagement : initiatives artistiques et sociales de Charles Gaspar dans l'Entre-deux-guerres \u00e0 Arlon<\/span><\/td><td class=\"column-4\"><span style=\"color:#215C98;\"><\/span><\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">16h30-17h00<\/td><td class=\"column-2\"><span style=\"color:#3C7D22;\"><span style=\"color:#3C7D22;\"><strong>De Baerdemaeker Marieke<\/strong> \u2014 Het Museum van de Stad Brussel \u2013 een rijk verleden, een spannende toekomst<\/span><\/td><td class=\"column-3\"><span style=\"color:#C00000;\"><strong>Tomsin Philippe<\/strong> \u2014 Un pr\u00e9curseur de l\u2019arch\u00e9ologie industrielle en Belgique: Ren\u00e9 Evrard (1907-1963). Nouvelles informations tir\u00e9es d\u2019archives priv\u00e9es in\u00e9dites<\/span><\/td><td rowspan=\"3\" class=\"column-4\"><span style=\"color:#808080;\">S\u00e9ance de cl\u00f4ture du Congr\u00e8s<\/span><\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">17h00-17h30<\/td><td class=\"column-2\"><span style=\"color:#3C7D22;\"><strong>Briard Sophie<\/strong> \u2014 La Wittockiana, mus\u00e9e des arts du livre et de la reliure De la biblioth\u00e8que bibliophilique priv\u00e9e au mus\u00e9e public<\/span><\/td><td class=\"column-3\"><span style=\"color:#C00000;\"><strong>Grosjean Paul<\/strong> \u2014 Du bon usage de la communication historique<\/span><\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">17h30-18h00<\/td><td class=\"column-2\"><\/td><td class=\"column-3\"><span style=\"color:#C00000;\"><\/span><\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">Soir\u00e9e<\/td><td class=\"column-2\"><span style=\"color:#808080;\">Activit\u00e9s culturelles<\/span><\/td><td class=\"column-3\"><span style=\"color:#808080;\">Activit\u00e9s culturelles<\/span><\/td><td class=\"column-4\"><span style=\"color:#808080;\">Banquet de cl\u00f4ture<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-29 from cache --><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":7561,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7381","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/acfhab.be\/index.php?rest_route=\/wp\/v2\/pages\/7381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acfhab.be\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/acfhab.be\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/acfhab.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/acfhab.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7381"}],"version-history":[{"count":18,"href":"https:\/\/acfhab.be\/index.php?rest_route=\/wp\/v2\/pages\/7381\/revisions"}],"predecessor-version":[{"id":8901,"href":"https:\/\/acfhab.be\/index.php?rest_route=\/wp\/v2\/pages\/7381\/revisions\/8901"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acfhab.be\/index.php?rest_route=\/wp\/v2\/media\/7561"}],"wp:attachment":[{"href":"https:\/\/acfhab.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}